Archive for John Lautner

Spotted: the Chemosphere

Jesse, my LA road warrior companion, got us to the bottom of the Chemosphere (Malin Residence) today. We won’t be able to view/tour this one, but it was great to see it from the outside. The hills around the area are so strange – they make for very private spaces for the homes as the roads curve around (sometimes at very tight angles) and rise and fall in elevation. We were looking and looking for this one, got to a dead end, and were only able to catch it as we came back down the same road. We turned one of the tight corners and all of a sudden, there it was, towering over us:

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LA: Research and House Viewing Day One

There are very few words to describe the experience of walking into a home that is brilliant, thoughtful and incredibly well-designed. I can’t express enough gratitude towards the people who have made it possible for me to see some of John Lautner’s homes in person – two of them on my first day here. Out of respect for the privacy of the owners I won’t go into detail here or post the photos I was lucky enough to take. It was at time overwhelming to walk into these homes and see the breathtaking view first hand, to feel the warmth of the interior, and fully understand the experience of the indoor/outdoor connection Lautner believed in. As I wandered around these homes I felt like I was in a museum, and the owners were so kind to let me wander like I was in a museums. I think I said the word “incredible” a million times today. For some reason that was what kept coming out of my vocal chords.

I also spent the morning/afternoon at the Getty Center viewing the wonderful Julius Shulman photo archive while narrowing down the focus of my research. Since I’m hoping to depend heavily on photography for the exhibition, seeing what is available first hand was immensely helpful. I’ve narrowed it down to about 8-9 structures, spanning Lautner’s entire career. Tomorrow I’ll view the drawings, etc. from the specific structures. I’m sure it will prove to be even more helpful.

I got so caught up at the research library with the photographs that I ran out of time, sadly missing the Irving Penn exhibition. We were lucky enough to have a Penn photograph on loan from the Museum of Contemporary Photography at Columbia College in a 2008 show, UNITED in Art. I am very interested in his non-fashion work – I find fashion photography akin to eating ice cream. Enjoyable, but in small doses. The Getty exhibition focuses on a series of images Penn did in the 1950s, which are portraits of people (everyday working folk) holding tools of their trade. They are photographed as typologies, almost scientific portraits documenting working class labor. The more I think about this, the more I may just have to go back and see it.

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Frank Escher and Ravi GuneWardena

An article from the Los Angeles Times on Frank Escher and Ravi GuneWardena, calling them John Lautner’s archtectural “heirs”.

En route to LA today.

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Garcia Residence: Los Angeles, 1962

Client: Mr. and Mrs. Russ Garcia (Russ Garcia was a jazz composer)
Located on Mulholland Drive on a steep mountainside.


Features:
Wooden arched roof and steel frame “floats” above the hills supported by two V-shaped steel supports. The structure is divided into two distinct living spaces: half consists of the open living room with built-in sofas, the other half private spaces (bedrooms). Central entry is open with curved stairs leading from the carport above.

Quote: “Lautner described the Garcia House as ‘lamellated wood arches [designed] to blend in the hills’ by taking the same form as the curved ‘hum’ in the terrain. The house echoed a more complex topography by splitting itself into two at a slight fold in the land-decisively dividing the house into the two distinct domestic zones the clients required-and then bridging the gap.” (Between Heaven and Earth, page 100)

In the News: A restoration project was in the works in 2008 (curbed LA article) by current owners Bill Damaschke and John McIlwee (NY Times article) with a pool being a more recent addition (curbed LA article 2).

In pop culture: This is the house that was “blown up” in Lethal Weapon 2. It’s a pretty impressive rendering of how one would collapse and destroy the structure:

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Correspondence: Wish List

(Portion of an e-mail I sent detailing areas of John Lautner’s influences and lists of structures I will be focusing on while at the archive.)

1. Anything related to Marquette: Midgaard, Deertrack, Lautner family
home (photos, ephemera, etc.)
2. Anything Lautner made at Taliesin

3a. Julius Shulman photographs of Lautner’s buildings.  It is my
intent for this exhibition to rely heavily on photography for
logistical and budgetary reasons. Below is a list of buildings that I
am hoping to have 2-3 images of; I hope to also be in touch with Mike
Moore and Alan Weintraub who have also photographed Lautner’s buildings.
3b. Julius Shulman archive/ephemera: I see by searching the Shulman
archive there is some Lautner-related ephemera. I am particularly
interested in newspaper/magazine clippings (such as those in box 59).
I would like to construct a display of ephemera for the exhibition
detailing media coverage of Lautner (I am very interested in his
influences on contemporary and “pop” culture).

4. Specific structures:

a. (The following structures seem to have 2 or 3 drawings already out
on loan for the touring exhibition. I am wondering if there are more
drawings available and possibly models of any of these? Also, if there
are models in the archive but not on this list, I would like to
consider those as well. I am just not sure how many models are in the
archive at this point.)
Carling Residence
Desert Hot Springs Motel
Schaffer Residence
Foster Residence
Heathall Residence
Concannon Residence
Tolstoy Residence
Wolff Residence
Zimmerman Residence
Harpel (both Hollywood and Anchorage) Residence
Krause
Griffith Park Nature Center

b. (These structures seem to have been heavily focused on by the
touring exhibition, but I am wondering if there are any other drawings
available for consideration for the DeVos exhibition?)
Segel Residence
Hope Residence
Turner Residence
Malin/Chemosphere
Pearlman/Idyllwild
Wahlstrom
Sheats/Goldstein Residence
Mabrisa
Elrod

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John Lautner

I am leaving for California in ten days to do two very long-awaited research trips. I will begin the trip in San Francisco, including the suburb of Mill Valley, to visit with Cecelia Kettunen’s niece. This has been a trip I’ve been looking forward to for almost two years and am hoping that spending time with someone who was close to Cecelia will fill in some gaps for me.

Then onto Los Angeles for research at the Getty on the architect John Lautner. Lautner was originally from Marquette but spent much of his life in Los Angeles building amazing residences. The Hammer Museum at UCLA organized a traveling exhibition about Lautner that opened last year. I had been pushing the idea around in my head to do an exhibition about Lautner in Marquette (thanks to the not so gentle nudging of a friend) when I heard about the Hammer exhibition – unfortunately the three slots on the tour filled up quickly and we couldn’t book it. I am assured by Lautner’s family that there is plenty in the archive at the Getty to put together an exhibition even with a bulk of it out on loan already. I have never been to California, so that alone is exciting. But it’s also going to be productive, which is even more satisfying.

Hence I have begun to dig around in the Olson Library at NMU to see what we have here. Lautner’s father (John E. Lautner) was a professor at NMU (then Northern State Normal School) in the early/mid 1950s, teaching German, French, and Social Work among other things. The library had two papers written by the senior Lautner, one from 1905 titled “American Materialism” and the other, “Our Educational Ideals as Affected by World Power” from 1909. Both were cut out of journals and bound into very sweet, small hard cover books:

John E. Lautner, 1905 and 1909

They were barely visible in the stacks, so tiny and delicate among the hefty books surrounding them. Of course I had to check them out. “American Materialism” is surprisingly relevant in our contemporary world:

“The United States has been, and still is to a large extent, the most self-satisfied nation among the progressive countries of the world. We have only too often felt that ours is the most perfect nation of them all…This spirit of American complacency comes to its fullest expression, perhaps, in our Fourth of July orations. Instead of allowing the far-seeing eye of the eagle, our national emblem, to penetrate to the mist-enshrouded rocks which are just a little ahead in the unknown and untried sea, on which our ship of state is sailing, we, in the language of the stump orator, send him swooping over our country from the perennial verdure of Florida to the frost-clad hills of Maine, and from the Golden Gate Bridge to the throbbing heart of the Atlantic, and in all his course not a single shriek of alarm does he utter at approaching dangers, but is always and eternally singing the praises of our glorious achievements.

I am aware as well as anyone that a pride in one’s country is perhaps the first essential to national greatness, but what I am criticizing is the pride which is blind to all the faults and dangers of our country. It is this blind admiration for our country which I believe is still only too often taught in our schools, that induced me to say a few words on the subject of American materialism.”

Wow, that’s quite a beautiful description, even if a bit stinging. He goes onto argue that Americans are too concerned with practical materialisms, “which manifests intself in the supreme importance we assign to things physical as compared with things aesthetic and spiritual”.

His writing about the blind ethnocentric leanings Americans tend to have, reminded me about the current health care debate. It seems many critics of changing health care think we have “perfect health care” or the “best health care system in the world”. Blindness to the huge, I mean incredibly huge problems with the health care system scares me. People who refuse to see the problems really scare me.

Not to turn this into a rant about health care, but Mr. Lautner, I may go out on a limb and say you were quite prolific when writing this over a hundred years ago.

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